By the beginning of the 1800s, dividing the wall into three parts - the dado, filler and frieze - became fashionable. Borders differentiated each section, which bore distinctive yet interrelated patterns. This style is often seen in Victorian homes.
Stripes - reminiscent of a military campaign with their military colors - became popular in Napoleonic France and in England, not only on the walls but extending to the ceilings as well. The practice spread throughout Europe. Panoramic landscapes were also popular in France. Never before had designs been attempted on such a large scale. To cover the walls of a large room without repeating a scene, 20 to 30 lengths were printed, with each length about 10 feet high and 20 inches wide (300cm by 50cm). Massive amounts of time and energy, not to mention risk, were required to print such scenes, using thousands of hand-carved blocks and hundreds of colors. For the most part, the Zuber company in Rixheim and Dufour in Mâcon and Paris produced them. In 1852, Zuber took advantage of a nationalist wave in the US and republished a previous paper, "Views of North America", as "The War of American Independence". He substituted foreground figures so the Boston Harbor became the Boston Tea Party. Peaceful scenes became battlefields.
Landscapes were not common in England as landscapes did not accommodate the ancestral portraits the British preferred as wall decoration.
